The day started with another hike up Sentinel Peak. I was starting to know the route and do better with my pace. While I am not a big fan of cactus and succulents, I was finding the local flora’s ability to survive on such a rocky place impressive.
This was the day where the rental car was going to get some use. First stop was the Old Pueblo Lapidary Club for a talk by Diane Eames on “Cutting for Jewelry” as part of the USFG Faceter’s Frolic (https://usfacetersguild.org/). The material covered in the presentation was much more basic than I had hoped to hear. However afterwards there was some time to get acquainted with a few folks from USFG like Al Balmer who often has replied to my forum posts. While talking with Al, I eventually realized who the other gentleman in the conversation was – Bob Long – one of the authors of the meetpoint faceting technique which is used by many who learn to facet. Bob seemed a truly nice fellow – more than willing to share his insights and not offended the least by those who chose a different approach (as I do.)
Next it was off to the JCK show (http://tucson.jckonline.com/). It wasn’t a very large show and was primarily finished jewelry vendors. There was one vendor who indicated that they had peridot both finished goods and rough material, so I headed for that booth. They did have rough, but it was one of the few negative interactions I had with vendors during the entire trip. It was difficult to get one of the people working the booth to come talk with me. And then I think a bit more confusion to get someone who knew about the rough material. The peridot was Chinese – more yellowish than material from Arizona or Pakistan. And while the pieces in the tray seemed to be a nice size, they exterior was cloudy and the stones were dry. So it was hard to tell at a quick glance how clean the material was. Then came the price - $43 per gram with a minimum of a kilo purchase. I had already seen some retail pricing for nice colored, clean Pakistani peridot that was better and allowed picking. Unless those rough stones were a lot bigger and cleaner than they looked, they would probably be returning to China to be cut. Or was I supposed to have tried haggling for 100 gm and half the price?
I wandered through the rest of the displays. It was not very crowded. Actually it would be better stated that there were not many people there. Most of the jewelry seemed to be on the lines of big, bulky rings or else the other extreme like a small dangle on a chain necklace. In that respect, it was in keeping with what I had been seeing at AGTA and GJX.
Since it was still early, I headed off to the G&LW shows (https://www.glwshows.com/). When I had last been to Tucson, G&LW had two separate locations. Now it was all in one place. And the place was humongous. I think the spot in the parking area I found was a quarter mile from the entrance to the show. They were running golf carts to get people back and forth, but my timing was bad. Normally the walk would not bother me. However in this case, the parking area appeared to have been recently refreshed with gravel. Or maybe it was baby boulders. Most seemed too big to have passed through a one inch screen. It was a difficult surface and required attention in some spots to keep from turning an ankle.
Unlike the JCK, the G&LW show was very busy. The vendors there were closer to those who participate in the InterGem or Gem Faire shows that are scheduled in various cities around the country. There were lots and lots of beads for sale. Also there was a lot of lower end findings, inexpensive finished jewelry and similar goods. A couple of large vendors had special areas at the end of buildings for essentially their own “store” within the show. One thing I noted in the G&LW spaces that I had not seen elsewhere was a fair amount of turquoise and Native American jewelry. It was not a good hunting ground for facet rough.
Next stop was JOGS (https://jogsshow.com). Parking was a bit harder to find at this site, but it was a lot easier trip to the show entrance. Based on the description of the show I was hoping to see higher quality goods than at G&LW and hopefully vendors with facet rough. First impression on entering was “where am I”. The floorplan at JOGS deviates from the typical grid used by most shows. It seemed to have more in common with a casino where the object is to keep you from leaving. At some point I found one of the other entrances and located a stack of show guides near the door and used that as a guide to navigating the place. Even then I got turned around several times.
I did see a little rough material, but nothing that was close to what I would want to buy. Most of the goods were about the same quality as at G&LW.
Since I was making better time through the shows than I had expected, I decided to head to the Kino site (http://www.as-shows.com/) in hopes of getting additional dops from the Graves vendor who was supposed to be there. From the freeway I had seen the complex had multiple tents and was not clear how it was organized. After arriving, it was even more of a puzzle. “Random” is probably the best description of the layout.
Kino was a totally different sort of show. Much of the material being offered there was like that in the GIGM show at our hotel – only in much bigger sizes and much larger quantities. This was the place to go if you wanted a slab of something for a table or countertop or if you wanted a chunk of rock for making a sculpture. There were several equipment vendors there who were providing the tools scaled for the bigger tasks. These were much more industrial strength sized than those typically used by rockhounds, crafters and jewelry artists.
I wandered well into the tent city before I found their stack of show guides and was able to locate Graves. No joy when I got there. The only dops they had for sale were a complete assortment set. It was just as well as I discovered that I had left my phone containing my shopping list back in the car. Obviously that was a signal to call it a day and head back to the hotel.